Pending critiques from my fabulous reader, I have set aside the previous WIP (now with a new subplot and a faster pace) and turned my attention to an entirely different WIP. At 85,000 words, it’s not an enormous first draft, not by any stretch, and yet, it looms.
I found that after so many words and so much text, that I wanted something visual in terms of beginning this revision. Although I’m as digital as they get, I investigated all manner of visual revision techniques. I was looking for something that could show me the structure and pace of the novel, virtually at a glance. Although I never did light upon the magic method that would make clear to me my path, I found several things to think about.
In this three-part series on methods of visual revision, I want to share with you the results of my searching and the two applications that I ultimately used (Scrivener and Google Docs’ spreadsheet) to give me a handle on the big picture.
Hey, it’s called the big picture for a reason.
This first post is my breadcrumb trail of the internet resources that I pondered. Each has good information on revision and plotting, as well as offering something in terms of a visual technique.
The Index Card Method and Structure Grid by Alexandra Sokoloff
Although I’ve analyzed novels using the index card method, I’ve never written or revised one using it. While the article doesn’t provide any images of index cards on a corkboard, they’re readily imagined. In spite of many writers employing the use of index cards, I still resist it (not digital enough or neat enough and my handwriting sucks). Ironically, I would later use Scrivener’s corkboard and index card view.
The Beat Sheet – Your at-a-glance revision blueprint by Roz Morris
Again, no images, but Roz provides a complete description on how the beat sheet should be drawn and colored, with a passing nod toward the spreadsheet.
How to Write a Book by C. J. Omololu
I thought this was an interesting spin on using a grid on paper. I particularly liked how adjacent grids were next to each other for a reason.
Plotting? Moi? by Terry Odell
Of multi-colored sticky notes and a foam core triptych–and finally, a picture here.
Nano Tip #13: Pace Charts by Scott Westerfeld
Scott used to use a spreadsheet but is now using Scrivener’s corkboard. It would seem we are ships passing in the night.
How to write a novel by Justine Larbalestier
Justine is using a spreadsheet and coming dangerously close to what I think will turn out to be my favorite method.
Plotting with Scenes by Darcy Pattison
I enjoyed the images of office products that might prove handy.
Below are some visual techniques for brainstorming, not really for revision, but I didn’t want to leave them out.
Bigger Paper, Bigger Ideas by Kitty Bucholtz
Sometimes it takes something very different to break out of a writing rut or see things in a new way.
Brainstorming with the Wonder Wheel by Shonna Slayton
I just had to play with the wonder wheel. It is Google after all.
SimpleMind Express
It’s a free tool for the iPhone or the iPod touch that’s similar to Google’s Wonder Wheel. I’ve used it a couple of times, just to see what the brain would storm.
Do you have a visual technique that you use for writing?
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Hi Terisa!
Thanks for the mention in your list! I don’t think I’ve mentioned it in my blog yet, but I also bought a magnetic white board. I can use multi-colored white board markers for trying to “see” what I’m thinking about. I can also put up sheets of newsprint (on magnets instead of using scotch tape) and write and draw arrows all over the place.
Good luck with your revision! I’m sure you’ll find lots of great tips to make it great!
Kitty at Routines for Writers
More awesome advice! I never even thought of the whiteboard, although there’s one on the wall over there. Thanks for stopping by!
Thanks for the mention. I’ve never been able to plot far in advance, although I think there’s a “plan” in there somewhere. This system worked for me because I could go wherever I needed to, but could keep track of where I’d been.
Thanks for stopping by Terry! It looks completely flexible and reminds me a bit of movie storyboard–without the cartoons. Just by virtue of its ease and how intuitive it seems, I’ll have to try it.
And I forgot to mention that there’s a copy of a handout for my idea/tracking boards on my website.
Oh awesome. I think I found it here: http://www.terryodell.com/editable_files/plotting.html Thanks again!
Terisa – glad to share. I’m still refining the process — I think it’s important to remember there’s no ‘right’ or ‘wrong’ and what works for one book might not work for the next, even for the same writer.
What works for me is that the storyboard part comes AFTER each scene is written. And that the sticky notes are easy to move around as you fill the “idea” board with possible scenes and plot points.
I totally agree that there is no right or wrong. In fact, I’m trying multiple things on the one book, just trying to establish what might work. Maybe one technique will work for revising plot, maybe another for revising character. There have to be as many techniques as there are writers–or books, anyway. Thanks for your input!
Great post – I’m always on the lookout for new ways to analyse my novels and there are some brilliant ideas here. And thanks for mentioning my beat sheet!
Thanks very much, Roz! I was really energized by reading all the great tips at your site, particularly the beat sheet. All the best.